Showing posts with label flowers. Show all posts
Showing posts with label flowers. Show all posts

Monday, October 18, 2010

THE COMPOSER

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Digital Photo Academy offers free Lensbaby workshops around the country. Lensbaby are known for their lenses that give a "sweet spot of focus surrounded by graduated blur." I took one of the classes in Los Angeles taught by George Simian. For the three hour seminar, we were loaned Lensbaby's top of the line model, the Composer. I already own a Lensbaby 2.0 but haven't used it much. The Composer costs more than the 2.0 (now known as the Muse) - $270 vs $100/150 (plastic/glass lens) but the Composer is MUCH easier to use and offers a lot more control. With the 2.0 or Muse you have to constantly squeeze and bend the lens to focus, while the Composer allows you to twist in a focus spot and keep it there hands free. I think the Composer is definitely worth the extra dough and if it had been manufactured when I decided to purchase my Lensbaby, I definitely would have bought the Composer instead. But if you like a LOT of unpredictability and variety in your photos, the 2.0 or Muse may be perfect for you.
- Lydia Marcus

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© Lydia Marcus / www.lydiamarcus.com
Photographed October 14, 2010 in Los Angeles, CA.


Monday, February 15, 2010

MALIBU WILDFLOWERS

Malibu Wildflowers

Photo credit © Lydia Marcus 2010 / www.lydiamarcus.com
Photographed February 15, 2010 in Malibu, CA
at Leo Carrillo State Park Beach

Saturday, June 6, 2009

PURPLE CALALILY TRIO

Purple Calalily Trio

This is a perfect example of what makes Time Zero film so special and irreplaceable. It's why I have 13 boxes of it stockpiled in my fridge and literally wait for special things to photograph with it. There is nothing quite like TZ blue - it is just dreamy. Something about TZ makes images look like paintings. I love calalilies and these were a present. Since they only live a few days or so after they're cut, I thought this was the best way to immortalize them. The blue backdrop is courtesy of my swimming pool.

Photo by © Lydia Marcus
Polaroid SX-70 Alpha / Polaroid Time Zero Film
Photographed in Encino, CA

Saturday, April 18, 2009

FEELING SPRINGY

Feeling_Springy
Photo © Lydia Marcus
Photographed August 15, 2008 in Los Angeles, CA at the Getty Center

Saturday, April 11, 2009

TWO FRIENDS ENJOYING EL PUEBLO DE LA REINA DE LOS ANGELES

Friday I had a fantastic day hanging out with one of my old high school buddies Brad. He lives in D.C. so it's rare that I get to see him. We had lunch with two of his friends in Burbank, took a nice drive on city streets to downtown, and made an impromptu visit to Griffith Observatory where we each enjoyed a hot cup of Wolfgang Puck soup (Me-Butternut Squash, Brad-Tortilla) while dining alfresco with a full view of the wide expanse that we lovingly call the City of The Angels.

Here's some snaps from my Sony T100 recounting our fun.

Brad & Me in Burbank
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Some lovely flowers - this shows how AMAZING the macro setting is on my Sony T100 - AMAZING bokeh for a point and shoot!


I snapped this pic out the window as we were driving down Glendale Blvd towards downtown.


We made a quick stop at Walt Disney Concert Hall and I shot this snap from the car.


The very famous Hollywood sign, viewed from Griffith Observatory


The Astronomers Monument on the front lawn. George Stanley, one of the artists who created this work in 1934, was also the creator of the famous "Oscar" statuette. The monument features six of the greatest astronomers of all time: Hipparchus; Copernicus; Galilei; Kepler; Newton; and Herschel (yah the one Jew!). Not sure which of the brilliant minds I captured here.


Calcium close up (another great macro!) - part of the elements display.


I love these shots of Brad! He looks so cute.




Brad got down on the ground to get this great shot of me. He encouraged me to get a little sassy and it worked!
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Friday, April 3, 2009

GET A LITTLE CLOSER

Spring has brought my front and back yard some nice blooms just begging for the macro treatment. I'm pretty much a learner when it comes to macro photography but the Nikon 105mm f/2.8 micro lens I have kind of does all the work for me.

I call this one "Riding The Wave"
Ridin' The Wave

A beautiful two-tone Rose
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Photo by © Lydia Marcus
Photographed April 2, 2009 in Encino, CA

Wednesday, October 15, 2008

NATURE INSPIRES US ALL


These Polaroids were taken just minutes apart and represent natural and manmade things but I am struck by how much they are similar and interconnected.

The flower shaped hubcap was seen in the parking lot at Apollo XI Field, home of the Valley Flyers where people fly radio controlled model airplanes and helicopters. It belonged to a late 1970's / early 1980's model Chevy Malibu station wagon. The wildflowers were spotted growing out of an empty field adjacent to the driveway.

No matter how much we evolve, nature (wild and free) is always there for our inspiration.

Polaroid Photos by Lydia Marcus
Wildflower/Hubcap Diptych photographed September 13, 2008 in Encino, CA

Wednesday, October 1, 2008

MAMA'S ROSES

My Mom has been gone for nearly 6 years but her roses remain blooming in the front yard. Polaroid Time Zero film seemed like the perfect way to capture their muted quality.

"Mama's Roses" Polaroid photo by Lydia Marcus.
Photographed September 31, 2008 in Encino, CA.

Wednesday, May 7, 2008

BIG RED

Almost a month ago I bought a new point and shoot digital camera, a sexy red Sony T100. My old trusty point and shoot, a Nikon Coolpix S2, still works, but it was getting long in the tooth for me for several reasons including: no image stabilization (which makes it really hard to hand hold and get steady shots in low light); only 5 megapixel (making it impossible to upload anything to JPG Magazine which requires more resolution). What I have loved about my S2 is it's sliding cover - slide down to power the camera on and start shooting immediately, slide up to turn it off. Usually when I'm shooting, I have to be fast, especially if I'm with non-shooting friends who want me to keep moving. The sliding cover really speeds stuff up! The S2's lens also zooms inside the camera body - it doesn't need time to have the lens extend outward. So whatever new camera I was going to buy had to have a sliding lens cover, no extruding lens/zoom, and image stabilization. I wasn't as concerned with megapixels - 7, 8, 10 - all fine with me. With those requirements in mind, I didn't have a lot of camera choices out there. I narrowed down my choice to Sony, who actually had many different models with sliding covers. I had used an acquaintance's Sony T20 and really liked the camera a lot, so that helped point me in the right direction. The camera I bought, the T100, is pretty much a beefed up T20. My camera has a 3 inch screen (the largest on any of my cameras), and HD movie mode (the images are really great, but the sound is even better!), two different macro modes, 8 megapixels, 2 modes of image stabilization (called Sony Steady Shot), and a lot of manual tweaks. The T100 is actually a discontinued model so I had to do some searching to find it. I located it at the Sony Outlet Store in Camarillo. The reason I wanted the older model vs the new T200 is that the newer model has a touch screen. Maybe in a couple years they're improve the touch screens and I'll want one for shooting, but for right now, I prefer to have some dedicated buttons. The way I shoot - fast - I want to be able to quickly access main buttons I use a lot like macro or the flash. On my camera those buttons are at my fingertips, on the touch screen model, first you tap the screen, then you look for the function you want, then you tap that, then tap some more to get it to do what you want. I prefer shooting to tapping. After shooting with the T100 for a month I have found out it's strengths and weaknesses. The 2 macro modes are absolutely unbelievable on this camera - the best I've ever had on a point and shoot and they actually come so close to a real hard core dedicated macro lens I'm flabbergasted. The HD movie mode is fantastic. The mic is really sensitive and picks up audio really well. The zoom is really big (5x) for a camera this small. This camera actually has several different kinds of metering modes. I took some photos (see Bette Davis tribute pictures below) in a dark theater with a spotlight on the stage - the perfect setting for spot metering. I switched the meter to spot and the photos speak for themselves - a wonderful exposure - not too dark, not washed out, just right. Weakness, well like any point and shoot, flash photos never look very natural. But, in the camera's defense, I have to say there is the ability to tone down or turn up flash intensity (a feature I haven't fooled around with yet), so I probably can make stuff look better if I try. I love the bigger screen I have now (my old camera was 2.5 inch), but Sony seems to have coated it with some kind of Polarized tint that actually works against my sunglasses I wear that also have polarized tint. Sometimes with my sunglasses on, it's really hard to see the screen because it becomes very dark. But I just have to stick my glasses on my head for a sec and then I can see fine. A small price to pay. Anyway, here's some photos examples from the Sony T100.




Side by side - my old Nikon Coopix S2 and the Sony T100



I love how this captured both stillness and motion!


A ladybug with the macro. I can't believe a little point and shoot can actually produce bokeh like this. That's at the camera's widest f stop f3.5









I was zooming in from pretty far away, I'm impressed how easily you can read the back of this RV.

Nice color rendition.

Macros of my Dad's 1966 Buick LeSabre convertible


The details on this macro shot are amazing!



No you aren't seeing it twice, this second shot is one that the Sony retouched in camera - giving it a soft focus that blurs the periphery around a chosen point (I chose the center of the image). It's basically the lensbaby effect.

At LACMA





The Post Office unveiled the new Bette Davis stamp (available in September) before a screening of "Jezebel." I was sitting pretty far back in the theater when I shot the next few images. Totally handheld, steady shot on, 400 iso, spot metering. I'm pretty amazed with the details and excellent exposure.



The lights outside of LACMA's new BCAM

macro of my incision, now healing into a scar.



more of the soft blur retouching effect

macro butterfly

me and lucy at the beach - the colors are so natural

And even if you don't care about taking artful images, the Sony T100 also works perfectly for taking cheeky snapshots. :-)