Showing posts with label Desert Hearts Mon Amour. Show all posts
Showing posts with label Desert Hearts Mon Amour. Show all posts

Monday, July 12, 2010

THE QUEER FILM EXPERT

Jenni Olson

I interviewed Jenni Olson for my documentary "Desert Hearts Mon Amour" and shot this with my Nikon D80 / 50mm f/1.8 lens after we finished rolling. I thought the DGA little theater (aka DGA Video / DGA 3) was the perfect setting to interview Jenni. We both had seen many great films in that theater in the early days of Outfest.

Jenni Olson is director of e-commerce at WolfeVideo.com and one of the world's leading experts on LGBT cinema history. Author of The Queer Movie Poster Book (2005, Chronicle Books), Jenni was also one of the founders of PlanetOut.com where she established the massive queer film industry resource, PopcornQ. She continues to write about queer films, as well as curating, collecting, and creating them. Her feature debut, The Joy of Life is now available on DVD. Her website is www.butch.org.

Jenni Olson

Jenni Olson

Jenni Olson
© Lydia Marcus / www.lydiamarcus.com
Photographed July 11, 2010 in Los Angeles, CA at the Directors Guild of America

Sunday, July 27, 2008

OUTFEST 2008

From July 9-21, I attended Outfest, the 26th Los Angeles Gay and Lesbian Film Festival. Outfest is the oldest continuous film festival in Los Angeles and definitely the largest and most attended one in the city. This year's festival featured 212 films and videos from 25 countries in 7 different venues over 13 days.

Outfest and I go back a LONG way - I've been going to Outfest since 1987 when I had just graduated high school. Over the years I was their first college intern (back in 1991), as an entertainment journalist and film critic I covered the festival for numerous Frontiers Magazine cover stories, was a juror on the American Narrative Films jury in 1999 with actor Wilson Cruz and director David Moreton, have been a participant on panel discussions and moderated post screening Q&A's, but this was my first year going to Outfest just for fun. My only agenda was to film a couple panels that "Desert Hearts" director Donna Deitch was on for possible use in my documentary "Desert Hearts Mon Amour" but other than that all I planned to do was see films, connect with friends, look for possible interviewees for my documentary, and have a fun two weeks just hanging out.

The best films I saw this year were: "The Secrets" (a tense and sexy story about the friendship and bourgeoning chemistry between two orthodox Jewish women); "Wild Combination" (a documentary about avant garde composer and musician Arthur Russell); "Hamlet 2" (the funniest damn movie I've seen all year - watch for it coming soon to theaters); "Breakfast With Scot" (the poignant and wacky opening night film); "She's A Boy I Knew" (a documentary directed and about a male to female transexual); and "Trinidad" (a documentary about the frontier town in Colorado dubbed, "the sex change capitol of the U.S." and transexual Dr. Marci Bowers, the top sexual reassignment surgeon who practices there).

Here's a photo recap of the festival.

OUTFEST, Opening Night at the Orpheum - a longtime tradition. The Orpheum is a restored downtown Los Angeles Movie Palace.


Filmmaker & Women On A Roll founder Andrea Meyerson, partners Valerie Madden and Tina Scorzafava (a talented filmmaker), and Me.

Me and Monica Trasandes, my former Frontiers editor. There's some real history here. We were young pups together. We sat next to each other at the first press screening of "Showgirls" - if that doesn't bond you for life, nothing will!

Two femme fatales (Calpernia Addams and Andrea James) and me LOL.

The main Outfest location - The Directors Guild of America, on Sunset Blvd.


"Boys Don't Cry" & "Stop-Loss" director Kimberly Peirce conducted "A Conversation With Donna Deitch." Donna was the recipient of the 12th Annual Outfest Achievement Award on Opening Night. (Photo Credit: Danna Kinsky / dannakinsky.com)

Kimberly, Donna, and Me (photo credit: Danna Kinsky / dannakinsky.com)

Donna Deitch, Kirsten Schaffer (former Director of Programming and present Outfest Interim Executive Director), and Kimberly Peirce (photo credit: Danna Kinsky / dannakinsky.com)

In back of the DGA

S & Me

The Outfest Legacy screening of a restored print of seminal gay and lesbian documentary "Word Is Out."

Wolfe Video founder Kathy Wolfe and "Desert Hearts" director Donna Deitch in front of a giant "Desert Hearts" poster. They had a small dvd signing in the lobby of the DGA.

Donna Deitch


Me & Donna (photo credit: Angela Brinskele)

Outfest Awards at the beautiful Ford Ampitheater. This is Craig Chester at the podium and awards presenter Momma.


Calpernia Addams and Momma.

More of Calpernia and Momma.

Outfest Closing Night, the Orpheum after party.

S, M, & Me

Moi

The huge Orpheum lobbby

Gorgeous lamps and details of the Orpheum ceiling.

The last marquee of this year's festival, Polaroid SLR 680 SE with Polaroid 600 Film.

Wednesday, November 14, 2007

SNEAK PEAK

First I finally got a myspace page, then I started this blog, and NOW, drum roll please, I have a You Tube page. Well I should say the documentary I'm making has a You Tube page - its a little ahead of me on that curve. I just posted a sneak peak interview clip from DESERT HEARTS MON AMOUR, the documentary I'm making about the cult status and social impact of Desert Hearts, the first romantic lesbian film. Here's me interviewing the stars of Desert Hearts, Helen Shaver & Patricia Charbonneau.

Monday, November 12, 2007

THE SINCEREST FORM OF FLATTERY

Last night I was at the historic Beverly Hills Hotel for Power Up's 7th Annual Power Premiere Gala interviewing celebs on the red carpet for my Desert Hearts Mon Amour documentary. My interviews included: the stars of "Desert Hearts" Helen Shaver and Patricia Charbonneau; "Dante's Cove" stars Michelle Wolff and Jill Bennett; AfterEllen.com founder/editor Sarah Warn; LOGO channel's "Exes and Oh's" star Michelle Paradise; "L Word" star Daniella Sea; and Michelle Clunie who played Melanie on "Queer As Folk." I got some great interviews for my doc, but the HIGHLIGHT of my night was queer film archivist, writer, and filmmaker Jenni Olsen running up to me to say "Hi" and to show me that she's using my Rudy's Hardware photo as her iPhone screensaver. How cool is that!

Sunday, October 14, 2007

BIO


Lydia Marcus is an Entertainment Journalist, Film Critic, Documentary Filmmaker and Photographer. She has written extensively about queer and indie film since 1995 and has done numerous cover stories for Frontiers (where she was Senior Film critic from 1995-2005), Girlfriends, GO! and the LN (Lesbian News), where she was the “At The Movies” columnist. Her features and photographs have been published in numerous publications and websites including: The Los Angeles Times; AOL / AOL City Guide Los Angeles; The Advocate; Planetout; Gay.com; indieWIRE; Windy City Times; Logoonline; and AfterEllen.com. In 2006/2007 she toured with Sandra Bernhard as an official photographer for Bernhard’s live show “Everything Bad and Beautiful.” She is currently filming her first documentary, Desert Hearts Mon Amour.

Lydia loves to take lots of photographs with an assortment of film, digital, and Polaroid cameras. She shoots primarily with a digital Nikon D80, Polaroid SX-70 Alpha (using a dwindling stash of discontinued Time Zero Film), and a Polaroid SLR 680 SE (using 779 & 600). She’s always been the lone family shooter, but it wasn’t until she took a basic photography class in her junior year of high school that she began to develop her “eye” and interests in automotive and architectural photography. Since then, no classic car, neon sign, funky old building, cute dog, or spectacular landscape is safe from her gaze. This color shooter’s palette ranges from warm tones with a vintage feel to saturated images that absolutely pop.

Her lifelong fascination and appreciation of cars is shared through her “Curious Transport” series capturing abstract pinstripes, distressed paint, and super glossy customization. This native Los Angeleno’s “Sign Language” series reveals quintessential L.A. scenery – places that are thriving and much that is rapidly disappearing.

Lydia’s artistic nature comes from her Mom, Beverly Burton Marcus (1931-2002), a medium and spiritualist. Her love of cars and dogs comes from her Dad, Fred Marcus (1921-), an Austrian Holocaust survivor and former Urguayan swimming and diving champion.